You might have better luck booming them from overhead. Speaking of reflective surfaces, my guess is that the sound arriving at those mics from where they are positioned is a combination of direct sound from the speakers and first reflections from the table tops. They are great outdoors and picking up sounds at greater distances, but hypercardioid and short shotguns will sound much better indoors where there are reflective surfaces. The problem with long shotguns like the ones in the pic is most often the off-axis coloration they contribute. ![]() Pictures of our studio setup for reference: ![]() Could you guys hook us up with some tips and recommendations about what microphones to choose? It would be greatly appreciated! What we imagine would work best for our setup would be microphones on small stands that can stand directly on the tables in front of the speakers. We can position these mics quite close to the speakers without getting in frame, and the audio is pretty good, but I suspect that this is not optimal.Īs neither one of us are audio-people, we have no idea what to look for. We also had a Sony XA30 camera with a mounted NTG4plus, so we scavenged that microphone and put it on a mic-stand (we also bought one extra, so now we have two). Now the Rødecaster works well, but these microphones have very short range and end up dominating the picture in front of the camera if we want the sound to be good. From before we had a small podcast-studio with a Rødecaster and several Podmic. The one thing we've struggled the most with is to find good microphones. Neither of us had any experience with either audio or video from before, so we started with the little equipment we had and expanded from there. ![]() Back when the pandemic first hit, my boss ordered me and a colleague to set up a studio for live webinars.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |